Hello friends! My name is Diana D'Souza, and I'm pursuing a double major in Government modified with Economics and Chinese. On campus, I'm the Co-President of Women in Business and a Chinese language research assistant. I'm also involved in the Dartmouth Outing Club and recently led a fishing first-year trip at the Boston Lot Lake. In my free time, I enjoy cooking, reading, and spending time outdoors.
Clustered between the Hop and Wilson Hall, you will find the Hood Museum of Art, home to some of the most impressive Native American and Australian indigenous art. Although I had frequently passed the Hood during my late night food dashes, I never stepped foot inside until my Humanities floor joined Professor Timothy Baker '08 and Associate Curator Amelia Kahl '01 for a tour.
Curator Amelia Kahl '01
Our tour was divided into two parts, the first of which was a guided tour, where Amelia spoke about the history of the artwork and answered questions. We began by entering the landscape exhibit and I vividly remember a painting reminiscent of the Lorax—with puffy, cotton candy-like trees, a pink sky, and a spattering of flowers in rolling green grass. Next, we proceeded to look at Native American art (baskets, wallets, and pottery) before entering my favorite exhibit: The Politics of Pink. This exhibit, which was designed by Charlotte Grussing '19, embraced how women are stereotypically associated with the color pink. By drowning the exhibit in pink and showcasing the works of women, she was successful in proving that women can reclaim the color pink.
"The Butcher's Tale" (La Mesa del Carnicero), part of the Politics in Pink Exhibit
The second part of the tour took us upstairs, where we had ten minutes to explore as much as we could before the tour concluded. As I admired masks, sculptures, and expansive paintings, I found myself drawn to Allison Saar's "Cache," the focal point of the room. The sculpture features a naked woman curled on the floor with a massive ball of hair weighing her down. Kahl mentioned that it was a symbolic piece that spoke to the woman's struggle of being of both African and European ancestry.
At the end of the tour, we broke out into a Q&A session. Kahl informed us that Dartmouth owns over 150,000 pieces of art, but only 1.5-2% of them are showcased at a time. Every term, the Hood attempts to update or replace exhibits in order to keep the novelty of the museum alive. Besides stopping by for a quick stroll, she encouraged us to conduct research in the museum as an intern, to design our own exhibits, or to request to study an artifact for class. Being able to engage with the Hood staff while discussing beautiful yet intriguing pieces of art made me better appreciate the value Dartmouth places in the humanities.
Dartmouth College has tons to do throughout the term – from Collis After Dark to DOC trips, it's pretty hard to get bored. However, this summer I decided to organize a new event called Summer Streetfest – here is how that went!
Although I am currently on campus for Sophomore Summer, I wanted to look back on my study abroad in Vienna, Austria by looking through my camera roll. Join me!
This will sound almost, unutterably cliché, and that is because it is. I love one of my classes so much this term—Colt 18.04: Climate Change, Fiction, and the Apocalyptic Imaginary.
