Hello friends! My name is Diana D'Souza, and I'm pursuing a double major in Chinese and Government modified with Economics. On campus, I'm a Chinese research assistant and a member of the Women in Business (WIB) Executive Board. I'm also a TA for ENGS 12, Design Thinking, and involved in my sorority, Kappa Delta. In my free time, I enjoy swimming, curating Spotify playlists, and baking with friends.
Clustered between the Hop and Wilson Hall, you will find the Hood Museum of Art, home to some of the most impressive Native American and Australian indigenous art. Although I had frequently passed the Hood during my late night food dashes, I never stepped foot inside until my Humanities floor joined Professor Timothy Baker '08 and Associate Curator Amelia Kahl '01 for a tour.
Curator Amelia Kahl '01
Our tour was divided into two parts, the first of which was a guided tour, where Amelia spoke about the history of the artwork and answered questions. We began by entering the landscape exhibit and I vividly remember a painting reminiscent of the Lorax—with puffy, cotton candy-like trees, a pink sky, and a spattering of flowers in rolling green grass. Next, we proceeded to look at Native American art (baskets, wallets, and pottery) before entering my favorite exhibit: The Politics of Pink. This exhibit, which was designed by Charlotte Grussing '19, embraced how women are stereotypically associated with the color pink. By drowning the exhibit in pink and showcasing the works of women, she was successful in proving that women can reclaim the color pink.
"The Butcher's Tale" (La Mesa del Carnicero), part of the Politics in Pink Exhibit
The second part of the tour took us upstairs, where we had ten minutes to explore as much as we could before the tour concluded. As I admired masks, sculptures, and expansive paintings, I found myself drawn to Allison Saar's "Cache," the focal point of the room. The sculpture features a naked woman curled on the floor with a massive ball of hair weighing her down. Kahl mentioned that it was a symbolic piece that spoke to the woman's struggle of being of both African and European ancestry.
At the end of the tour, we broke out into a Q&A session. Kahl informed us that Dartmouth owns over 150,000 pieces of art, but only 1.5-2% of them are showcased at a time. Every term, the Hood attempts to update or replace exhibits in order to keep the novelty of the museum alive. Besides stopping by for a quick stroll, she encouraged us to conduct research in the museum as an intern, to design our own exhibits, or to request to study an artifact for class. Being able to engage with the Hood staff while discussing beautiful yet intriguing pieces of art made me better appreciate the value Dartmouth places in the humanities.
When I entered college, I was super excited to join The Dartmouth news staff, which is, fun fact, America's oldest college newspaper. Journalism is an awesome way to grow as a writer, hear stories, work on a passionate team, and report the truth!
At Dartmouth, you have a unique opportunity to talk to really, really cool people. And, if they're not coming via official Dartmouth programming, you can invite your own speaker!
Even in a pandemic, I've had opportunities to work in theater this term, and I'm extremely grateful for what it's taught me. (Photo by Russell Chai '24)
Welcome to my "Welcome to 21S" post! As I reflect on my sixth term at Dartmouth, what stands out to me is that it has been a full year since Covid-19 changed our world.
