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back of girl taking a photo of an artwork at the Museum of Fine Arts in Boston

Today, I decided to spend the day exploring the Museum of Fine Arts in Boston, and I'm so glad I did! Thanks to a wonderful perk, admission is completely free for Dartmouth students. All I had to do was show my student ID at the entrance. It's such a great way to make the most of living near one of the country's most impressive art institutions.

A visitor walks up the grand staircase of the Museum of Fine Arts, Boston, surrounded by ornate vases and classical architecture.
Walking into the MFA!

The MFA is massive. As I walked through its many halls, I got to see everything from ancient jewelry and musical instruments to detailed sculptures and paintings from every corner of the world. There's truly something for everyone. I found myself getting lost in galleries filled with Japanese scrolls, Islamic ceramics, Renaissance portraits, and modern American art. It's one thing to learn about different cultures in class, but another to be physically surrounded by their art and artifacts.

Japanese woodblock print depicting people traveling in the rain with umbrellas, a palanquin, and horses.
Japanese woodblock print!

This month, the MFA is hosting a breathtaking exhibition of Van Gogh's work, called Van Gogh: The Roulin Family Portraits (also free to Dartmouth students!). I've seen images of his art online and in textbooks, but nothing compares to seeing his brushstrokes up close. Some of the pieces on display are among his most iconic, and being able to appreciate their texture and detail in person was unforgettable. The exhibition also told the story of Van Gogh's life, which I didn't know much about before. I left with a much deeper appreciation of both his artistry and the struggles he faced.

 Vincent van Gogh self-portrait with a blue background, holding paintbrushes and wearing a blue coat.
"Self-Portrait"
 Van Gogh landscape painting of a rocky gorge with swirling brushstrokes in blues and greens.
"The Ravine"

One of the most powerful sections I visited was called (Lack of) Freedom and Diplomacy. This installation focused on how stories of race, gender, and Indigeneity intersected during the period of American treaty-making and slavery. It highlighted how Indigenous people—especially women—were often left out of official narratives, even though they played critical roles in diplomacy and community life. The exhibit examined themes of captivity, particularly how white narratives portrayed being taken captive by Indigenous nations, often as a way to justify the seizure of Native lands and further dehumanize Indigenous peoples. It helped me think about the legacy of these narratives and how they shaped public opinion and policy across centuries.

Within this section, Manumission of Dinah Nevil, attributed to Jeremiah Paul and painted around 1795, was a piece I had specifically sought out. I had studied this exact work in my class Sex, Gender, and Society during the fall. Dinah Nevil was a woman of African and Indigenous ancestry who fought for her freedom after being moved from New Jersey to Philadelphia. Although she used a Pennsylvania law to gain her freedom, the painting—created about 20 years after her legal victory—does not honor her as a heroine. Instead, she is portrayed in the stereotypical imagery of enslaved people: nearly nude, with pale skin and widened eyes meant to make her appear white. This visual erasure of her true identity reinforces the systemic racism and sexism we discussed in class. Seeing it in person gave me chills. It made our classroom discussions feel more real and reminded me why these conversations are still so relevant.

Colonial-era painting of a woman pleading with a group of European men.
"Manumission of Dinah Nevil"

Experiences like this are one of the reasons I'm so grateful for Dartmouth's support in learning beyond the classroom. Even during an off-term, I'm able to engage with art, history, and social issues in meaningful ways. Being in that museum, surrounded by centuries of creativity and conflict, made me reflect on how much more there is to learn. I left the MFA inspired, not only by the art, but by the reminder that education doesn't stop at the campus gates,

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