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Three books spread across a wooden desk: The Development of Film in the Americas by Molly Geidel in the foreground, a black-and-white photography book titled Honor Death to the left, and a pale-covered book titled true biz partially visible underneath.

This past term, I had the chance to take a course in an area of academia I had absolutely no prior experience in: Disability Studies. Offered as a new course in the Women's, Gender, and Sexuality Studies department, Intro to Disability Studies quickly became one of the highlights of my term. From the very first lecture, I was struck by how fresh and forward-thinking the material was, and how much it challenged me to rethink assumptions I didn't even realize I had about ability, society, and identity.

One of the things that immediately drew me in was the syllabus. It was impossible not to be excited by a course that combined memoirs, fiction, literary theory, and film with critical discussions about societal structures, accessibility, and representation. We explored groundbreaking concepts like "deaf-gain", which reframes deafness not as a loss but as a form of unique contribution to society, and examined the different models used to understand disability, from medical to social to cultural frameworks. Each reading and assignment pushed me to think critically about how disabilities are constructed and understood, both historically and in contemporary society.

Excerpt from a syllabus listing four required readings.
A few of the books from the syllabus!

We didn't just read about disability; we experienced it through multiple lenses. Memoirs gave us intimate insights into lived experiences, literary texts challenged us to interpret identity and embodiment in complex ways, and films opened up discussions about representation and stereotypes in popular culture. One of my absolute favorite units was the "Disabled Detectives" project. Each student gave a presentation on a detective in film or television who has some form of disability. The range of examples was incredible: Sherlock Holmes, Monk, and even Dr. Gregory House as a "medical detective." It was fascinating to explore how these characters navigate their abilities and how their disabilities intersect with their intelligence, insight, and problem-solving. This unit made me think critically about the ways popular culture portrays, and sometimes misrepresents, disability.

Title slide of a presentation reading "Disabled Detective: Sherlock", with a cartoon detective in a trench coat and hat sitting at a desk under a hanging lamp against a purple brick wall background.
My "Disabled Detectives" Presentation!

For my final project, I focused on the groundbreaking novel The Member of the Wedding and its two film adaptations. Analyzing the text and its cinematic interpretations allowed me to trace how disability and other forms of difference are represented over time and across media, and to reflect on the broader cultural narratives that surround these representations. It was a challenging but deeply rewarding experience that tied together many of the concepts we had explored throughout the course.

Overall, this class was an eye-opening and transformative experience. It introduced me to an entirely new field of study, offered incredibly engaging material, and encouraged critical thinking in ways I hadn't expected. I left the course with a deeper understanding of disability as a societal, cultural, and personal phenomenon, as well as a new appreciation for the innovative scholarship happening in this field. I've recommended it to so many of my friends and will carry the insights I gained into every area of my academic and personal life.

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