My English Minor!
This last winter, I just finished up the final course requirement for my English minor. The great thing about the English minor at Dartmouth is that it's just six courses—absolutely anything you want—in the department, so I really enjoyed taking advantage of the total flexibility by picking classes that were extra fascinating to me personally for one reason or another! A lot of the English courses I've taken here go beyond just reading and literary analysis to incorporate art, creative writing, linguistics, queer theory… the list goes on. Though I'm taking one final department class right now just because I can (CRWT 21: Intermediate Creative Nonfiction); today, I'm going to take you through the six classes I took to complete my English minor here at Dartmouth!
1. ENGL 63.04: Arts Against Empire: Fictions of Revolution and Solidarity in the Americas
ENGL 63.04, which is cross-listed as WGSS 52.04, was my first class in the department back in the winter of 2022 before I'd even decided to minor in English. Above all, this course centered around learning about various activist art traditions across time and space. The book we read that stuck with me the most, perhaps, was Kari Lydersen and Wafaa Bilal's Shoot an Iraqi: Art, Life, and Resistance Under the Gun (I very seriously recommend, at the very least, looking into Bilal's performance art project, which is the primary subject of the book. For our final project, we carried out a political art project of our own; I photographed trans and nonbinary Dartmouth students as an exploration of stereotypes, homonationalism, and transnormativity.
2. ENGL 36: Contemporary American Fiction
Prof. Stuelke taught Arts Against Empire during my sophomore winter and this course during my sophomore summer; I signed up for it primarily because I loved my first class with Prof. Stuelke so much. The syllabus covered Raven Leilani's Luster, Tommy Orange's There, There, Gillian Flynn's Gone Girl, and a number of other stories with accompanying theory readings that we used for analysis. For a second time, Prof. Stuelke gave us a chance to finish the class with a creative project, for which I wrote a short story exploring college campus social life and the notions of neoliberal self-fashioning that we'd discussed in the stories we'd read over the course of the term!
3. ENGL 47: History of the English Language
This is cross-listed as LING 18, and as a linguistics major, it only made sense to take this during my junior fall as one of the courses for my minor! It was a pretty significant departure from the other English classes I'd taken before this, as it was first and foremost a course in historical linguistics as it pertained to the English language specifically, rather than a literature or theory course (it actually counted for the QDS requirement, for those of you looking for an alternative to math classes)! We traced the development of the language from Proto-Indo-European all the way through modern English, tracking sound changes, morphological changes, and more. Most memorably, though, we ended every class by reciting a passage from Beowulf in its original Old English. I still hear "þæt wæs god cyning" in my dreams sometimes…
4. ENGL 37: Contemporary American Poetry
My second "Contemporary American ______" class at Dartmouth, I enrolled in this course my junior spring with a senior friend who wanted to take a class together before they graduated :) Prof. Moodie gave us so many new ways of looking at poetry, from Mary Oliver to Staceyann Chin, and I had fun writing about Chin and Miguel Piñero's conflicting, yet simultaneously true, portrayals of New York City in each of their work for my final paper.
5. ENGL 63.30: Trans Gender Literatures
I doubled up on English classes my junior spring, so I was in Trans Gender Literatures at the same time as Contemporary American Poetry (yes, we spent a considerable amount of time discussing the space between "trans" and "gender" in the course title—this was, indeed, intentional). RL Goldberg, though no longer at Dartmouth, was a fantastic professor. It was, first and foremost, a literature class rather than a trans studies class, but we did read and discuss a good deal of queer theory as well. What I still think about all the time, though, is the novel I read for the midterm: Nevada, Imogen Binnie's exploration of what it is to be trans, yes, but more than that, what it is to be a mess. I still don't quite have the words to explain the impression it left on me, but I'd certainly recommend it.
6. CRWT 40.12: Novels of Virginia Woolf: Radical Innovator
I finished out the minor my senior winter with my first Creative Writing class at Dartmouth, which focused all term long on the work of Virginia Woolf: more specifically, Mrs. Dalloway, A Room Of One's Own, and To The Lighthouse. I already wrote an entire blog post about this class a couple of weeks into it, but I loved it just as much for the rest of the term! I especially appreciated the chance to blend creative and analytic responses in our papers—it was different from any other writing I've done in a really exciting way. Now that I'm done with the minor, I'm taking one more CRWT class this term just for fun, but I'm so glad the English minor gave me the chance to branch out in so many different disciplinary directions.