View from Moosilauke Ravine Lodge
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The white building with black shutters where the blogger attended this class.

I want to take some time to reflect on my favorite course of Fall '24 (and potentially at Dartmouth thus far): MES 15.11: The Middle East in Film: Picturing the Past and Present.  

Before diving into the course structure and content, I need to express my appreciation for Professor Andrew Simon and his exceptional approach to teaching. A friend who took this course during their first fall at Dartmouth spoke so highly of the professor, particularly how he integrates his media work in Egypt into the curriculum, which led me to my decision to take this course. Words can't fully articulate how integral Professor Simon's expertise and teachings have been to my fall term. His ability to weave his research and firsthand experiences into our discussions elevated every aspect of the class.  

The course was thoughtfully structured around media and supporting primary and secondary sources related to issues in North Africa and the Middle East. Each week, we critically examined a wide variety of audiovisual and textual media on topics such as French Algeria, the Armenian Genocide, and the Egyptian Revolution. Throughout all ten weeks of the quarter, I felt empowered to think critically about historiography and the profound role of media in shaping collective consciousness.

Blogger's selfie in iPad reflection while watching a course assignment on the treadmill.
I watched most of the syllabus's gut-wrenching films on the treadmill. It's true.

During the first half of the term, we wrote weekly reflections on the assigned content and questions that arose from our engagement with the material. These reflections laid the foundation for class discussions, during which Professor Simon provided historical context and guided us through nuanced conversations about the topics. The structure encouraged both analytical rigor and collaborative learning, ensuring every voice in the room contributed to our understanding.   

For my final project, I explored the concept of imagined European identities and their construction through the Eurovision Song Contest. This research allowed me to delve deeply into an area I am passionate about, bringing together media studies, cultural inquiry, and my own perspective.  

Ultimately, this course has transformed how I approach media, teaching me to view sources in conversation, extract valuable insights, and recognize the radical potential of film and media in shaping whose voices are amplified and who are silenced. Professor Simon's class was not just an academic journey but a transformative experience—one I will carry with me far beyond Dartmouth.

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