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Students on campus path with bowls and a camera, chatting in front of brick building

When I first saw "Gender and Sexuality in Asian American Literature" listed as a course offering, I was hesitant. Literature has never been my strongest subject, and I wasn't sure if I could keep up with the pace or style of the class. But because it was cross-listed with the Women's, Gender, and Sexuality Studies (WGSS) department, I thought it might be a good way to challenge myself and dip my toes into the English department. I had no idea it would become one of the most memorable classes I've taken at Dartmouth.

What initially drew me in was how unique the syllabus looked. It was my first time taking a class centered around a specific culture or identity—and although I do not identify as Asian American, I was excited to learn from the perspectives of those who do. There were so many texts I had never heard of before, including The Necessary Hunger by Nina Revoyr, On Earth We're Briefly Gorgeous by Ocean Vuong, and M. Butterfly by David Henry Hwang. We also watched powerful documentaries like Slaying the Dragon and Daughter from Danang, which offered even more depth and visual context to the themes we discussed.

Course list of 5 books and 3 films related to Asian American themes.
Our syllabus!

The reading was definitely different from what I was used to. These weren't books you could skim through; they asked you to slow down and think deeply about identity, power, family, and belonging. At first, I struggled to connect with them. But once we started having class discussions about the cultural and historical context behind the stories, everything opened up. I started noticing new layers within the texts and found myself genuinely excited to uncover what others in class had picked up on. We were not just reading literature—we were analyzing social structures, learning how histories shape the present, and understanding how storytelling can be a form of resistance.

Professor Jodi Kim played a huge role in making this class so impactful. Every so often, she would hold lecture-style sessions where she introduced us to critical theories and scholars whose work helped us better understand the material. One that really stuck with me was Orientalism, which we returned to throughout the term as we explored how Asia and Asian Americans have been historically portrayed in media and literature. These lectures helped frame our discussions in a more scholarly way while still keeping the classroom atmosphere collaborative and open.

Another highlight of the class was its creative structure. We worked together on various projects, from group presentations to personal reflections and multimedia assignments. These assignments gave us room to express what we were learning in our own way, and it made the course feel alive and personal.

Students on campus path with bowls and a camera, chatting in front of brick building
My group and I "on set", filming our final project, which was a mini-movie!

Looking back, I am so glad I took the leap and enrolled in this class. It pushed me to think more critically and creatively than I ever expected, and it showed me how powerful literature can be when paired with cultural exploration and identity-based inquiry. I'm already excited to see what other courses the English department has to offer.

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