a river within a jungle. there are big round rocks throughout the river and on the edges, there are thick dense trees. the sky is blue with some clouds on the periphery.
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There is a light brown wooden table with yellow sponges, a yellow water bottle, and a green turntable on top. In the background, you can see a teacher standing in front of another table with pottery on top.

Although I do not formally study art in college, Dartmouth has allowed me to stay in touch with my creative side. Whether through the art distributive requirement for all students or the various performing arts groups on campus, Dartmouth truly has it all and has a space for all interests and passions. 

In high school, I took three ceramics courses and fell in love with the process of creating physical pottery pieces. Coming to college, I was worried I would not have the same opportunities because I was not planning to study ceramics; however, this was not the case. 

At the Dartmouth Student Ceramics Studio, all students are taught how to work with clay and create. Anyone is welcome in the studio, whether you are an absolute novice, a complete pottery pro, or somewhere in between—like me! Every term, they hold weekly handbuilding classes and twice-termly wheel-throwing courses. 

A few girls are standing around a light brown wooden table. There is a mix of glazed and unglazed ceramic pots on top of the table, and each girl is also touching their own lump of clay.
Working at the Studio!

This past term, I signed up for a handbuilding class and want to take you along on my journey.

To work in the studio, students must first sign up for a session slot. Each session will meet twice within one week, and so students are encouraged to sign up for the week and a time that works best with their class schedule. 

The very first class is focused on building pinch pots! In high school, I made some similar objects, but it had been years since I last touched clay, so the instructions served as a helpful reminder. 

a girl with brown skin holding a fist-sized lump of gray clay with her left hand. Underneath the clay, there is a white paper with black text instructions.
My Pre-Pinched Clay

For each session, they always have two instructors present to help answer your questions and show you what to do. For my first project, I chose to build a wide-brimmed pinch-pot bowl that I would later give to my sister as a Christmas gift (spoiler alert). 

While you are given plenty of time to complete your project during the allotted session time, the studio is also open for work hours every afternoon so students can come in to finish their projects. 

A dimpled clay bowl is on top of a green turntable, which is itself on a wooden table. In the background, there is an instructor, some other students working with clay, and some example pots. It's clear that the main clay bowl has just been made.
My Post-Pinched Clay

During our second session meeting that week, we were then given more clay and taught how to complete a new project. This time, the instructors showed us how to roll out clay into an even slab and then take our slab and build an open cylinder. From there, we shaped our pieces into whatever we wanted, and I chose to make a bowl-vase-glass-thinging (the exact purpose of my object is tbd). 

hree clay pieces sit on a shelf that is labeled with yellow tape, "finished." The left piece is short with a handle, the middle cup is tall with three distinct indentations on the sides, and the right-most piece is round with a flared top that is wavy.
Projects on the Finished Shelf (mine's on the right)

That weekend, our pieces were fired in the kiln—essentially, they were placed in a huge oven, transforming the soft, breakable clay into ceramic—and then on Monday, we were able to go into the studio to glaze our work. Glazing is the process of applying a glass-like paint or layer to your work to give the piece a shine or color and further protect the artwork. 

There is an extensive collection of finished ceramic pieces on a wooden table. Each piece is a different shape and glaze color.
All the Available Glaze Colors

While glazing, the instructors taught me how to properly layer colors to achieve my desired effect and how to apply the colors to ensure proper coverage. They also helped me pick out what glazes to use, as the glaze colors aren't intuitive and will change drastically after firing. 

After glazing my pieces, I placed them on a shelf with some other pieces of work and then came back to the studio the next week to pick them up.

On top of a plain white table, there are many small bowls of water and glaze, each with a paintbrush sticking out of its top.
My Glazing Process

I absolutely love how my pottery pieces came out and will definitely be returning to the studio next term!

Although I am partial to the ceramics studio, Dartmouth actually has three student workshops that are available to all undergraduates: the Woodworking Studio, the Metal/Jewelry Studio, and, of course, the Ceramics Studio. If you want to learn more, check out their websites on The Hopkins Center for the Arts webpage. 

A week later, I was able to pop by the ceramics studio and pick up my finished pieces. The whole experience was incredible and fairly simple, and I can't wait to return next term!

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